The 7 Best Travel Cameras
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To paraphrase photographer Chase Jarvis, the best travel camera is the one you have with you. By extension, the best travel camera is the one you're willing to lug around. For some of us, that means the best camera is one that you can fit in your pocket. Others, like me, are willing to carry a small full-frame mirrorless for versatility of lenses and the higher-quality images.
I lived on the road, traveling around the United State and Mexico for eight years, during which time I refined my travel camera kit down to exactly what I needed and nothing I didn't (read to the end for my personal setup). Based on that experience, and almost a decade of testing cameras, these are the best travel cameras I've found for all varieties of travelers, whether you want a point-and-shoot that fits in your pocket or a full-frame DSLR that requires its own suitcase.
For more camera choices, be sure to read all our camera guides, including the Best Compact Cameras, Best Mirrorless Cameras, Best Action Cameras, How to Choose the Right GoPro, and How to Buy a Camera.
Travel Photography Accessories and Extras
Once you've got a camera you love, make sure you have everything you need to get the most out of it. Here are a few of the things I like to travel with:
Extra batteries: It doesn't matter how good your camera's battery life is, you're going to want extra batteries, ideally several of them. I also like to bring a dedicated charger so I can leave batteries charging overnight.
SD cards: The more, the merrier. I use and recommend these Lexar Professional 2000x SD cards. For microSD cards I like Samsung's Pro Plus model, which I use in my GoPro Hero 13.
A camera bag: The perfect camera bag is different for everyone. We've put together a complete guide to camera bags and straps to help you figure out the best way to carry your camera.
Tripod: I rarely bring a tripod traveling, but when I do I like to keep it as small and light as possible. Far and away the most popular travel tripod is Peak Design's carbon-fiber tripod. I also like Sirui's carbon-fiber tripod.
What Makes a Great Travel Camera?
The answer to that will depend on what you want to shoot, but for most of us a great travel camera is a small camera. That doesn't necessarily mean you have to stick with point-and-shoot cameras, but no one wants to lug around a huge DSLR just to snap some photos of the family. Heck, even pros on assignment don't want to lug around huge cameras and lenses, but at least they get paid to do it. If you aren't getting paid, I suggest sticking with something small. Here are a few other things to look look for in a travel camera:
- Image quality: This is subjective to some degree, but look for the highest image quality you can get. That doesn't necessarily mean the largest sensor, as other factors like the lens and processor also matter. When considering a new camera I like to browse photo sites like Flickr, filtering my camera model, to see what kind of images people are producing. Given a large enough sample size, this gives me some idea of where the camera succeeds and where it struggles.
- JPEG quality: This is related to the above, but focused specifically on the JPGs that come straight out of the camera. RAW files are nice when you have the time to develop them, but it's convenient to be able to get great JPGs right out of the camera to send to friends and family or post on social media. Fujifilm and Panasonic Lumix cameras excel here, with tons of “recipes” to get great creative looks without a lot of RAW processing.
- Autofocus: The faster the autofocus, the more likely you are to capture the image, especially if your travel photography includes children. The best autofocus systems are typically in large camera bodies, but in the past few years Sony, Canon, Nikon, and Lumix have all stepped up the autofocus speeds in their smaller, more pocketable cameras as well.
- Image stabilization: Every camera in this list has some kind of image stabilization built in. In-body stabilization (IBIS) is what you want here. It will compensate for some level of shakiness, allowing you to shoot in low light without the need for a flash. Good low-light performance is essential if you want capture scenes in the evening or at night. Also look for a camera with a usable high ISO rating (4,000 or higher) if you plan to shoot a lot in low light.
- Video capabilities: At this point, if you plan to shoot video, get a camera capable of shooting 4K video at 30 frames per second or better.
- Lens zoom range: Zoom lenses give you a level of versatility that most people, especially beginners, will find useful. Our top pick goes from a 24-mm wide angle lens to a 200-mm telephoto focal length. That's enough to cover just about any situation you're likely to encounter traveling.
- Weather sealed: The weather doesn't always cooperate with our travel plans, which means it's nice to have a camera that can get at least somewhat wet. That said, shooting in a downpour is unlikely to end well for your camera, no matter what the IP rating might be.
Why Not Use Your Smartphone?
You certainly can. The cameras on today's smartphones, especially the Pixel 10 Pro and the iPhone 16 Pro, are very capable, and for many people they will be enough. They also mean you don't have to carry one more thing.
But I'm guessing, if you're reading this, you probably don't want to get by with just your phone. Personally, I don't like composing with a phone. Consequently I don't get as many images I like with a phone, no matter how good the lens, sensor, and computation smarts of the phone might be. A viewfinder provides a more immersive experience that makes me see the scene in front of me more clearly, and it means I compose better images.
What Do I Use?
I don't mind a larger camera for travel, so I've stuck with my A7R II, though I would love to have something smaller. I will be taking a very close look at the Fujifilm X-E5 when it arrives.
For lenses I have a manual-focus Voigtlander Nokton 40-mm f/1.2 that I use 75 percent of the time. While it's definitely not for everyone, this is my all-time favorite lens for Sony. I also have the Sony FE PZ 16-35-mm F4 G, mostly for video and the occasional ultrawide image. Finally, I have the Sigma 65-mm f/2 DG DN, which is the oddest focal length I've ever used, but I'm strangely attached to this lens. It inhabits a no man's land between normal and portrait, and I use it for both.
I sometimes bring this tripod (regrettably no longer available), which is flimsy, but works for the limited amount of times I need a tripod. I also have a GoPro Hero 13 Black with the Ultra Wide Lens, which I mostly use around water and on my bike.



















