
You ever see a live Smooth Jazz concert?
Unless your idea of fun is hanging around third-tier California wineries with your fourth wife, chances are you haven't. I'm not talking about Sonny Rollins here — this is that highly produced, studio-rehearsed instrumental pop that echoes off the tile floors of Marriott hotel restaurants.
But live, it's a different story. Performers can't hide behind slick production, and they're not constrained by their record labels, so they let loose like the talented musicians most of them are. For an example, just search YouTube for "Kenny G," "Sade" and "live." It's not the Sun Ra Arkestra, for sure, but you'll get to hear (and I can't believe I'm typing this) Kenny G unleash some serious funk.
It's the same principle with car designers. That boring, melted-soap sedan your aunt is driving probably started life as a daring drawing of a concept with slats for windows and suicide doors.
With all concepts, though, the pressures of the real world intervene. Drivers have to see out of those slatted windows and open those massive doors. Safety rules, gas mileage requirements and focus groups all take their toll, and the whole thing has to be built at the lowest possible cost.
That's why the Lincoln MKT is refreshing: It may very well be the first example of a car where designers were freed by new technology to pen a car that could not have otherwise existed. From a design standpoint, it's Kenny G, live in concert.
First, some background: The six- or seven-passenger MKT debuted as a 2010 model and is currently the Stephanie Tanner of the Lincoln lineup. Its voluminous interior coddles occupants with separate climate-control zones for front and rear, an auto-folding third row, THX audio, Microsoft Sync and a twin-panel moon roof.
Our tester had optional twin captain's chairs in the second row, with a fridge in the rear center console. That gave it ample room for four adults and two children, because the rearmost seats were unsuitable for anyone past a growth spurt.
